New York based artist Daniel Arsham work explores the fields of fine art, architecture, performance, design and film. Raised in Miami, Arsham attended the Cooper Union in New York City where he received the Gelman Trust Fellowship Award in 2003. Soon thereafter Arsham toured worldwide with the Merce Cunningham Dance Company as the company’s stage designer. The experience lead to an ongoing collaborative practice which continues as Arsham works with world renowned artists, musicians, designers, and brands.
Arsham’s uchronic aesthetics revolves around his concept of fictional archaeology. Working in sculpture, architecture, drawing and film, he creates and crystallizes ambiguous in-between spaces or situations, and further stages what he refers to as future relics of the present. Always iconic, most of the objects that he turns into stone refer to the late 20th century or millennial era, when technological obsolescence unprecedentedly accelerated along with the digital dematerialization of our world. While the present, the future and the past poetically collide in his haunted yet playful visions between romanticism and pop art, Daniel Arsham also experiments with the timelessness of certain symbols and gestures across cultures.
In 2008, Arsham co-founded Snarkitecture with architect Alex Mustonen. Snarkitecture is a collaborative design practice established to investigate the boundaries between the disciplines of art and architecture. Snarkitecture focuses on the reinterpretation of everyday materials, structures and programs to new and imaginative effect. The studio's work includes installations, architectural environments and objects for a diverse range of clients such as Seletti, Calvin Klein, COS, Design Miami, Gufram, Kith, New Museum, and Valextra.
Arsham’s work has been shown at PS1 in New York, The Museum of Contemporary Art in Miami, The Athens Bienniale in Athens, Greece, The New Museum In New York, Contemporary Arts Center Cincinnati, SCAD Museum of Art in Savannah GA, California and Carré d’Art de Nîmes, and the High Museum of Art in Atlanta GA.
Arsham is represented by Galerie Perrotin in Paris, Hong Kong, New York, Seoul, Shanghai and Tokyo. Arsham also shows with Baro Galeria in Sao Paulo, Ron Mandos in Amsterdam, and Nanzuka Gallery in Tokyo.
Hayden Cox was never one for conventionality. Unable to afford a new surfboard at the age of 15, he instead decided to make his own, founding his venture Haydenshapes Surfboards in the process.
A decade in, he innovated his signature surfboard construction FutureFlex, a patented parabolic carbon fibre frame technology which went onto break ground across the globe and influence the current ‘eps/carbon fiber’ surfboard trend, proving demand for innovation and changing the face of the surfboard design. He is commonly recognised for his award winning (3 x Surfboard of the Year – USA and AUS) and global best selling surfboard Hypto Krypto, as well as his unconventional approach to positioning his surfboard company as one that pushes boundaries in unique collaborative projects, technology, aesthetic and function.
Hailing from Sydney, Cox is recognised as a designer, entrepreneur and author, and has been involved in many brand and personal design projects including working with designer Alexander Wang, Audi, Google and IWC Schaffhausen to name a few. In 2018 he was commissioned by Westpac Bank as the first Australian designer to develop and launch an exclusive collection of wearable payment accessories through their institution to the Australian public.
On the design front, 2020 will see the launch of some key projects including a brand collaboration between Haydenshapes and artist Daniel Arsham blending art, surf and film as well as the release of an upcycled cloth created from manufacturing waste and available to the wider surfboard and composite manufacturing industry.